“The third night,” she says, “the doorknob moved.”
Neither of you speaks.
The wind stirs the laundry hanging on the far side of the roof. Somewhere below, a dog begins barking at nothing. You think of the narrow hallway upstairs, of doors opening in the dark, of your own husband standing in the shadows outside a young woman’s room.
“I locked the door after that,” Lucía says. “The next morning, Esteban joked at breakfast that the old hinges in the house made strange noises and could make people imagine things.” She looks at you then. “I hadn’t told anyone what I heard.”
The night seems to tilt.
“He knew,” you whisper.
“Yes.”
Anger flares so hot it makes you dizzy.
You want to reject it—to insist there must be some misunderstanding, that Esteban is strange but not predatory, awkward but not dangerous. But the details align too perfectly. The staged sleep. The careful light. The doorknob. The comments. The way Lucía chose proximity over distance, placing herself between you as if your presence were a shield.
“Why sleep between us?” you ask, though you already suspect the answer.
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